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    1. coachd

      other than the comparism of glamourous and grotesque, something is missing to push further to say what you want to say. Maybe the exposure is too perfect? The intention is too obvious? The setup is man-made instead of spontaneous? The proportion of the subject can be more prominent? What is the subject, the frame of Adrey Hepburn, or the demolished interior? I would try to avoid too many color objects appearing, such as the blue and green in the background. So, the color of the picture frame would be the only clue that this is a color photo in b/w mode.

      来自 上海城市风光

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    1. N.5 Rd.

      右面的影子像个人脸～

      来自 上海城市风光

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